From Troy Bronsink's new book:
God was so enthralled with a life of loving connectedness that God loved into existence a world with the same potential. Like a painter setting out with an end in mind, God imagines and engineers a world continually unfolding as an expression of God’s own original love. It’s almost as if God were standing at the future, lovingly drawing creation forward.
Each time God’s Spirit shows up, she is hovering over the unexplored potential. God does not rush the process. From the very beginning of time as scripture depicts it, we see the Spirit of God, as a patient artist, okay with the “unfinished” potential in the story. God is at home with things as they unfold.
As God’s creative project unfolds, each session’s work seems to speak to God as well about the next day’s work. The kind of listening we are talking about is not the same as acknowledging noise or words. This is at the core of what it means to be an artist: perceiving. The potter, the poet, and the person who prays each have to read between such lines. They have to listen through to what is felt at the core. Jesus used a quote about this from Isaiah in defense of his use of parables. Some, he said “ seeing they do not perceive, and hearing they do not listen, nor do they understand” (Mat 13:13 NRSV).
Art is like life in this way: the raw ingredients, the various materials and mediums that you intentionally engage with affect the art you make... Focusing on process alone would be like describing a painter without talking about the choices in pigment and canvas, without asking about the use of perspective, color, or tone, and with no attention to the place or day and age in which she painted. Its like an actor reading a script cold, no background story, no research, no setting, posture, accent or pathos. Attention to process it enriched when we pay as much attention to the ingredients.
Learn more here:
tinyurl.com/getdrawnin for a limited $7 offer of DRAWN IN including study materials for groups.